Dante and virgil in hell.

Dantes inferno.c1850

Divine Comedy-Limbo-Lust.

Dante and Virgil in hell. Musee d'Orsay, Paris, France

Dantes inferno. Divine Comedy-Limbo-Lust (1875)
William Bouguereau Dante's Inferno. Dante and Virgil in hell. (1850)

This large painting by William Adolphe Bouguereau depicts a scene from Dante's inferno.

Set on the banks of the river Styx and forming the boundaries between earth and the underworld. The river Styx is one of five rivers believed in Greek mythology to converge at the centre of the world and meet at a great marsh. Each river was also know for its own individual characteristics. While the river Styx was known as the river of hatred the other four rivers, being the Acheron, the Cocytus, Lethe and Phlegethon. had their own titles. The Acheron was known as the river of sadness while the Cocytus was the river of lamentation. The Lethe was the river of forgetfulness and lastly the Phlegethon which was the river of fire.

Dante and Virgil in hell is a depiction of Dante Alighieri on his journey through the nine circles of hell accompanied by his guide the ghost of Virgil.

Virgil's ghost can be observed with his hand placed on Dante's right arm. His facial expression shows concern as he gazes toward the body of a man laying contorted on the floor. At first glance it looks as if Virgil's trying to comfort Dante or possibly steer him away from the chaos. In the poem Hell's depicted as being nine concentric circles, with each circle representing the gradual increase in the wickedness of man, culminating at the centre of the earth, where the devil himself is held in bondage. With this in mind Bouguereau's painting depicts Dante in the fifth circle, Wrath and sullenness.

looking upon the sins of wrath.

Both men look upon the sins of wrath (extreme anger) and sullenness (sulkiness, moroseness, brooding resentment, gloominess, sluggishness). The dominant male portrayed at the front of the piece ruthlessly attacks his opponent. Obviously in an attempt to tear his throat out with his teeth. A clear indication of extreme wrathful behaviour. While this takes place a sullen somewhat tormented looking male lays on his side on the floor behind them. To the centre right of this piece there's a mass of mostly male writhing, entwined bodies . Some exhibit signs of sullenness while others are being wrathful toward each other. Others appear to be desperately trying not to fall into a chasm of hot boiling liquid. Achieving this by clinging on to the bodies and limbs of others while desperately trying to avoid their own impending fate. A large grinning winged demon with arms folded also watches menacingly over the proceedings.

Dante and Virgil looking upon the sins of wrath and sullenness Dante and Virgil looking upon the sins of wrath and sullenness. The expression on the face of Dante is clearly one of concern.

Dante and Virgil in hell. A demon waits patiently for souls to arrive.

The Winged demon, arms folded, patiently overseas proceedings as he looks upon the mass of writhing bodies.

Dante and virgil in hell. Clawing hand detail.

Dante and Virgil in hell showing Bouguereau's mastery of photo realism.

William Bouguereau was undoubtedly a master of his art, painting. Coupled with his understanding of colour he always painted his subjects with a photo like quality. The detail and realism of the fingers gouging at the flesh give the skin a true three dimensional elastic appearance. Throughout the painting, the muscle tone and sinewy detail of the bodies of the main characters along with the contorted facial expressions clearly depicts the extreme tension and determination of all the subjects portrayed. All in all demonstrating Bouguereau's unique skill and ability to produce convincing photorealistic portrayals of his main subjects.

Background detail of Dante and Virgil In Hell.

Dante and Virgil in Hell. a single female trying to attack a male from behind while he desperately tries to resist her.

Background detail from Dante and Virgil in hell. Also in this example, amongst a mass of predominantly male subjects, there's a lone visible female at the top of the pile. She appears to be straddling another body to get to a male who's arms she's pinning back. His arm are raised slightly above his head while she forces him back in an attempt to attack. At her feet, there also appears to be the body osf another person who's fallen back into the mass of bodies. They reach up towards a outstretched hand, desperately wanting assistance. Her long fair hair appears visible through the crook of the fighting man's arm in the foreground to the front of the piece.

Dante's inferno. Contorted facial details of a Bouguerau painting

A broken, tormented, contorted, male lays on his side on the floor in front of the onlookers. As I have shown, you can clearly see the angst and distress brilliantly captured in the details of his facial expression. Something that William Bouguereau had a mastery at achieving as can be seen in his painting of Orestos pursued by the Furies.

The above account is of course my own interpretation of the work and should in no way be taken as fact.

Dante and virgil in hell. Dante-Dantes inferno. Divine Comedy-Limbo-Lust.